Interactive fiction lends itself to queer storytelling because it is never static: it whirrs with code. It exists on a screen, a server; it can be quickly modified and reproduced. It can contain sound, video and words that move or shimmer or dissolve entirely. Cyber feminist Legacy Russell coins the term ‘glitch feminism’ as one that revels in the digital as a place where queer and marginalised people ‘make new worlds and dare to modify our own’4. Interactive fiction brings these new worlds to life on our screens. We can see and touch other ways of being, other bodies, other utopias.